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WIP collective is a pair of artists made up of Jérôme Boulanger and Thibaut Drouillon. Using digital technologies to make visual choices, the collective analyses reality as fiction, questioning the status of vectors for constructing collective identity.
Together, they question the impact of the injunctive nature of language and cartographic representation on their relationship with the territory. In so doing, they are attempting to deconstruct the representations and symbols of collective identity and offer them a new perspective.
Using digital technologies to make visual choices, the collective analyses reality as fiction, questioning the status of vectors for constructing collective identity. Digital programming allows them to move away from a total control over the finality of the forms they propose. The pair use algorithms and code to leave the creative process open to chance. In this sense, the images, devices and installations they create highlight a generative and physical process that is constantly evolving.
Their work tries not to be fixed in a stable, permanent form. It is often the consequence of a change of state.

WIP collective - Jérôme Boulanger & Thibaut Drouillon

As part of the Capture #2 exhibition to be held at <a href="https://www.le-pavillon.be/en/">Le Pavillon</a> from 23 September 2023 to 14 January 2024
Cascade is an installation that questions the notion of capturing reality. From the mechanical era to the digital era, the granularity of the modes of capture and display still offers us a limited vision of our reality. By cascading several devices together, imperfections are amplified with each iteration and become the vector of a moiré effect that gives rise to coloured abstractions.

Cascade

Le Pavillon

WIP collective – Jérôme Boulanger & Thibaut Drouillon

The works of Claire Williams are at the crossroads of craft, sound and electronics. Her artworks try to sense the multiple variations in our electromagnetic spectrum taking the form of art installations, making tangible the electromagnetic movements of our magnetosphere. Claire Williams is currently working on the exploration of ether, exploring 
our relationship to the world of the invisible by reviving abandoned 
leads of certain scientific and researches of the mid 19th century.

Claire Williams

As part of the Capture #2 exhibition to be held at <a href="https://www.le-pavillon.be/en/">Le Pavillon</a> from 23 September 2023 to 14 January 2024
The Telepathes is an installation that explores sleepy, hypnotic or comatose states. It questions the materiality of our consciousness in what it has in common with that of the machines we fashion in the image of our neural activity. The Telepathes proposes to explore these spectral states through the recorded neuronal activity of people in a deep coma by imagining a &#8216;telepathic device&#8217; in which their electrical activity radiates and navigates in the form of waves and sounds. In this way, Claire Williams imagines a kind of parallel collective consciousness, a spectral world made up of our electromagnetic and psychic activities.

The Telepathes

Having lived successively in Brussels and Nice, where he obtained a degree in Communications, Maxime Van Roy returned to Belgium to study Visual and Graphic Communications, before moving on to more artistic studies. After obtaining a Master&#8217;s degree in &#8216;Image in the Environment&#8217; in Mons, he moved to Brussels, where he shares a studio with other sculptors and stone-cutters. As well as being a visual artist, he teaches sculpture at ARTS2, the Mons School of Fine Arts.

Maxime Van Roy

As part of the Capture #2 exhibition to be held at <a href="https://www.le-pavillon.be/en/">Le Pavillon</a> from 23 September 2023 to 14 January 2024
In this single-use installation, each drop becomes a container, the packaging of a resource that becomes a product. This semblance of rain, which may evoke the abundance, profusion and opulence of a resource that is becoming increasingly scarce, raises questions about our use of water and our use of plastic.